The house special: one fixed treat card, held across a whole series. Standard frames at 6 credits, premium reserved for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Every set on this shelf begins the same way: a fictional adult woman, described once and described precisely. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is kept for the frames that will front a pack or carry a profile. Between those two prices sits the whole craft of the generator, and it is a host’s craft: the character’s description is her treat card, and a treat card is never rewritten from memory halfway through a series.
Write the treat card with five fixed entries, always in the same order: her age as a plain number, 25 or over; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the tiny gold stud, the small scar, the ribbon she always wears — that lets a viewer recognise her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single changing line carries what varies: the outfit, the room, the hour, the light. Hold the card steady and each new frame arrives as the same guest; let it drift and no setting on the shelf will seat her again.
Concrete entries survive serving. “Long black hair in a low side braid with a gold ribbon woven through it” renders the same woman at every job; “gorgeous hair” is a mood, and moods are reinterpreted at every generation.
Serve a set in one setting under one light, then move a single detail onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping she stays herself.
Generate generously at the standard cost, then cull kindly but firmly. Edits, swaps and upscales are finishing costs — spend them only on frames that earned their place.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, made to the same standard as the set inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for the video treat.
“Fictional 34-year-old woman, long black hair in a low side braid with a thin gold ribbon woven through it, warm medium-brown skin, a tiny gold stud in her left nostril; emerald-green silk slip lingerie set with champagne lace trim and a sheer ivory robe slipped off one shoulder, seated at a marble vanity in an ivory boutique-hotel suite, a small stack of ribbon-tied gift boxes beside her, warm evening light, editorial photograph.”
Everything before the semicolon is the treat card — it never changes. The line after it is the only new thing served in this frame.
“Fictional 34-year-old woman, long black hair in a low side braid with a thin gold ribbon woven through it, warm medium-brown skin, a tiny gold stud in her left nostril; the same emerald silk set, standing against a plain ivory studio wall, one shaft of evening light from the left, editorial photograph.”
A bare backdrop is the honest test of a treat card. If she is still herself against a blank wall, the card is sound and the shelf can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The treat card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and flat | Too many objects and actions in one brief | One place, one action, one light source per frame |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one fresh treat every day, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her treat card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the line below it, and she arrives as the same guest every time.
No. Frames rest private in your account. Only what you deliberately publish appears among the gallery’s fresh arrivals, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler at the end of the shelf is the finishing treat.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator